Kenny G Tour Bus Driver

Kenny G Tour Bus Driver
Kenny G Tour Bus Driver – Dave Grohl Is A Back Aching Coffee Guzzling Minivan Driving. Kenneth Bruce Gorelick – born June 5, 1956 – is an American jazz saxophonist. His 1986 album Duotones brought him commercial success. Kenny G is one of the best-selling artists of all time, with worldwide sales totaling more than 75 million records

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Kenny G in his youth – Kenny G Tour Bus Driver

Kenny G was born in Seattle, Washington. His mother is originally from Saskatchewan, Canada. His family is Jewish and grew up in Seattle’s Seward Park neighborhood, which is the center of the city’s Jewish community. He touched the saxophone when he heard the show on The Ed Sullivan Show.  He began playing the saxophone, viola Buffet Crampon, in 1966 when he was 10 years old.

Kenny G attended Whitworth Elementary School, Sharples Junior High School, Franklin High School and University of Washington, all in his hometown of Seattle. When he entered high school, he failed in his first attempt to enter the jazz band, but auditioned again the following year and got his first seat. Franklin Damper’s classmate Robert Damper (piano, keyboard) played in his band. In addition to his high school studies, he took private lessons on Johnny Jessen’s saxophone and clarinet once a week for a year.

He is also a member of his high school golf team. He has been a fan of the sport since his older brother, Brian Gorelick, introduced him at the age of ten.

Kenny G’s career in the world of music – Kenny G Tour Bus Driver

Kenny G’s career began with a job as a sideman for Barry Unlimited Love Orchestra in 1973; he is 17 years old and still in college. He continued to play professionally while studying for a major in accounting at the University of Washington in Seattle, and earned a Phi Beta Kappa  and magna cum laude degree. He played with the bands Funk, Cold, Bold and Together before becoming a member of The Jeff Lorber Fusion. He began his solo career after his menstruation with Lorber.

 

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Success and initial breakthrough with Duotones, 1980s

Kenny G signed a contract with Arista Records as a solo artist in 1982, after label president Clive Davis heard ABBA’s “Dancing Queen.” He released his self-titled debut album with the help of The Jeff Lorber Fusion. This album received rave reviews from critics. He succeeded early on, with G Force and Gravity, each of his second and third studio albums, achieving platinum status in the United States. At that time, he collaborated with Kashif on many songs, such as the single “Love on the Rise”, which was released in 1985 and continued on the map.

otones, has sold more than five million copies in the United States alone. It included the songs “Songbird”, reaching No. 4 on the Billboard Hot 100. The single “Don’t Make Me Wait for Love”, which featured the voices of Lenny Williams, recorded at No. 15 on the Hot 100, and number 2 on the Adult Contemporary charts in 1987.

Kenny G worked from the mid to late 1980s with jazz and R-B musicians such as George Benson, Patti LaBelle and Aretha Franklin. Dionne Warwick’s duet with Jeffrey Osborne with G as guest saxophonist, the hit single “Love Power,” peaked at number 12 on the Billboard Hot 100, and No. 5 on songs from R-B / Hip-Hop. His first live album, Kenny G Live, included popular songs, including “Going Home”, which was a great success in the People’s Republic of China.

This curly-haired man has collaborated with various artists, such as Andrea Bocelli, Aaron Neville, Toni Braxton, DJ Jazzy Jeff – The Fresh Prince,  Natalie Cole, Steve Miller, Weezer, Dudley Moore , Lee Ritenour, The Rippingtons, Michael Bolton, Celine Dion, Frank Sinatra, Bebel Gilberto and Smokey Robinson. Influenced by saxophonist Grover Washington Jr., the album is generally classified as smooth jazz.

The world receives praise from Breathless, Miracles and The Moment, 1990s

Kenny G has worked on several film soundtracks, including Dying Young and The Bodyguard. The song “Theme for Dying Young”, written for the film, was nominated for best pop instrumental show. Kenny G co-wrote the soundtrack to The Bodyguard, with Kevin Costner and Whitney Houston, and performed his own song “Waiting for You” and his single “Even If My Heart Would Break”. His music is also included in The Shadow and Miracle on 34th Street.

His sixth studio album, Breathless, was released in 1992 and became the best-selling instrumental album of all time, with more than 15 million copies sold worldwide, including 12 million in the United States alone. The album included many hits such as “Forever in Love”, a Grammy Award winner for best instrumental composition and featured on the Hot 100 Year End Billboard.

“Sentimental” cards at No. 27 on the adult contemporary charter, and “By the Time This Is Night Is,” a collaboration with Peabo Bryson, peaked at No. 25 on the Hot 100. His first holiday album, Miracles, has sold more than 13 million copies, making it the most successful Christmas album to date. He also performed “The National Anthem of the United States” at the closing ceremony of the 1994 World Cup at the Rose Bowl in Pasadena, California, on July 17, 1994.

Kenny G 1998

Kenny G won a place in the Guinness Book of World Records in 1997 for playing the longest score ever recorded on a saxophone. Using circular breathing, Kenny G holds an E flat for 45 minutes and 47 seconds at the J-R Music World in New York. That same year, the song “Havana”, from the album The Moment, was remixed by Todd Terry and Tony Moran and broadcast in dance clubs in the United States. The mix rose to No. 1 on the Billboard Dance /Club Play Songs chart in April 1997.

Kenny G’s second vacation album, Faith, was the best-selling holiday album in 1999 in the United States, which sold 2 million units according to Nielsen/SoundScan. The single from the album, “Auld Lang Syne” traditionally, reached No. 7 out of Hot 100. His song “Auld Lang Syne”, at the time of the mapping, was popularized by the next New Year celebration for 2000. In its heyday, it was also the oldest song written to make the Hot 100 chart.

Criticism for Kenny G

Kenny G has attracted a lot of criticism from traditional jazz musicians and fans. Pat Metheny stated that he was a “pop” saxophonist but was not really an advanced player, even in this style, adding that he had “major rhythm problems” and “his harmonics and melodic vocabulary were very limited, mainly based on the penttone and model derived from blues-lick”. Metheny believes that the main reason Kenny G has become unpopular is “that he has sold a large number of records while not being close to a very great player in terms of the standards that have been set on his instruments over the last seventy or seventy years”.”

Branford Marsalis once said in an interview with Jazziz magazine: “When all these jazz men don’t agree on Kenny G, they have to leave Kenny alone. He doesn’t steal jazz. An audience that will not be trapped, during a real concert or jazz club. Contrary to some people say, “You know, I was listening to Miles, Trane and Ornette. And then I heard Kenny G, and I never used another recording of Miles. “It’s a very different audience.”

Kenny G’s 1999 single “What a Wonderful World” was criticized for superimposing Louis Armstrong’s recording. The main criticism is that Armstrong’s praised recordings, known primarily for improvisation, should not be altered by a musician whose scope and depth of understanding have been questioned.] Some columnists suggest that Kenny G’s recording exposes more fans to true jazz, but the response to recordings tend to be negative.

 

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The main source: https://en.wikipedia.org/wiki/Kenny_G

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